In February 2014, Wright announced that Steven Price would score the film.[117] However, Price left soon after Wright's departure from the project in May 2014.[124] In January 2015, Christophe Beck, who worked with Reed on Bring It On, was hired to replace Price.[172] Describing the film's score, Beck said, "For Ant-Man, I wanted to write a score in the grand symphonic tradition of my favorite superhero movies, with a sweeping scope and a big, catchy main theme. What makes this score stand out among other Marvel movies, though, is a sneaky sense of fun since it is, after all, not only a superhero movie, but also a heist comedy."[173] Hollywood Records released the soundtrack digitally on July 17, 2015, and had a physical release on August 7.[174]
Ant-Man was released for digital download by Walt Disney Studios Home Entertainment on November 17, 2015, and released on Blu-ray, Blu-ray 3D, and DVD on December 8, 2015. The digital and Blu-ray releases include behind-the-scenes featurettes, audio commentary, deleted scenes, and a blooper reel.[202] Upon its first week of release on home media in the U.S., the film debuted at number two on the Nielsen VideoScan First Alert chart, which tracks overall disc sales, as well as the dedicated Blu-ray Disc sales chart, with 63% of unit sales coming from Blu-ray.[203]
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For some critics, Ant-Man is seen as one of the more exceptional films in the Marvel franchise. Richard Brody of The New Yorker cited the film as "the non-bombastic superhero movie" that strays from the grandiose tone of other films in its genre, stating that the film is "a bracing, giddy delight.... [a neoclassical comedy] more closely related to Alfred Hitchcock's [To Catch a Thief] and to hectically skimpy B-movies than to the other members of the Marvel family."[225] Matt Zoller Seitz of RogerEbert.com praised how the film "[f]eels handmade, not Marvel factory-approved. [It reminded me] of Zemeckis when Zemeckis was fun."[226] In May 2016, ten months after Ant-Man was released, Seitz admitted that his "affection for it has increased with time" and compared its sweet and melodramatic sensibility to Spider-Man 2.[227]
Conversely, Alonso Duralde of TheWrap said the film "serves up jokes that don't land and thrills that don't thrill."[228] Richard Roeper of the Chicago Sun-Times said Ant-Man "is a lightweight, cliché-riddled origins story that veers between inside-joke comedy, ponderous redemption story lines and admittedly nifty CGI sequences that still seem relatively insignificant compared to the high stakes and city-shattering destruction that take place in most of the Avengers movies."[229] Catherine Shoard of The Guardian wrote, "Ant-Man is a cut-and-shut muddle, haunted by [Edgar Wright's] ghost, produced by a high-end hot dog factory, by turns giddying and stupefying."[230] Joe Morgenstern of The Wall Street Journal said that it is "a film that will surely be popular, given Marvel's marketing might, but one that's woefully short on coherence and originality."[231] Christopher Orr of The Atlantic said, "It's difficult to shake the sense that the film was assembled hurriedly and somewhat haphazardly. Which, from all available evidence, is exactly what happened."[232]
Marvel loves to add extra scenes teasing future movies during and after the credits roll for fans. The first one is a mid-credits scene after some fun animated credits roll by. The second scene is a fun gag that won't leave you missing much if you head out.
It's a humorous end tag since it's become a sport to stick around after most Disney and Marvel movies for extra scenes. The most recent "Guardians of the Galaxy" movie had a total of five scenes during the credits.
Johnson has said of writing the script he wanted it to be character based rather than focus on the mechanics of time-travel. He drew inspiration from movies such as The Terminator, 12 Monkeys, and Witness. One of the best screenplays to read if you love mixing sci-fi with ironic humor and time-travel.
Seltzer was commissioned by the producer, Harvey Bernhard, to write a movie about the Antichrist after Bernhard was given the idea by a friend, Bob Munger. It took Seltzer exactly one year to write the screenplay and it would go on to be one of the most iconic horror movies of all time.
This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers.
BONUS SCREENPLAYS TO READ: You can download five more of the best screenplays to read in each genre in this post. Read as many movie scripts as you can and watch your screenwriting ability soar.
I read the screenplay to one of my favourite horror movies and one of my recent favourite mvoies, IT (2017). I really would like to read the full screenplay to IT Chapter Two (2019). any chance you guys could find and upload it for me, please?
Hi, I read a commentary by Robert Towne, who said that the narrative skills in older movies is superior. He said more about how it costs the characters a lot to do the right thing in them, which makes it more believable, enjoyable, and funny. For this reason I think Billy Wilder is essential reading, especially:SOME LIKE IT HOT and THE APARTMENTHe was able to make the story turn on very simple plot-points without the need to thread endless spaghetti.
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In 1600, learning of the war being fought between Christian forces of the Holy Roman Empire [HRE] and the Muslim Ottoman Turks, Smith set off for Austria to join the HRE army. On his way to Austria, Smith experienced several adventures, including serving on a pirate ship in the Mediterranean Sea. His pirate service earned him 500 gold pieces enabling him to complete his trip through Italy, Croatia and Slovenia to Austria where he joined the HRE army. Smith fought against the Turks in battles waged in Slovenia, Hungary and Transylvania [Romania] earning several awards for his bravery in battle. One award was his promotion to captain, a title Smith remained proud of the rest of his life. The Prince of Transylvania gave Smith the title of "English gentleman", and with it a coat of arms that consisted of three Turks' heads representing the three Turks killed and beheaded by Smith in individual jousting duels. Smith had become a very accomplished soldier and leader. But his good fortune ended in 1602 when he was wounded and captured in battle and sold into Turkish slavery. Smith was forced to march 600 miles to Constantinople where a new adventure awaited the captain.In Constantinople, the enslaved Smith was presented by his master as a gift to his fiancée, Charatza Tragbigzanda. According to Smith's account, Charatza became infatuated with him, and apparently in an attempt to convert Smith to Islam, she sent him to work for her brother, Tymor Bashaw, who ran an agricultural station in present-day Russia, near Rostov. Instead of instructing Smith, Tymore mistreated him by shaving his head, placing an iron ring around his neck, giving him little to eat and often beating him. During one such beating, Smith overpowered Tymore, killing him and fleeing his enslavement using Tymore's horse and clothing. Traveling for days, unsure of his route, Smith was befriended by a Russian and his wife, Callamatta, whom Smith called this "good lady". Their assistance helped Smith regain his strength and begin his travels across the remainder of Russia, Ukraine, Germany, France, Spain, and Morocco before finally returning to England in 1604. One author estimates Smith's travels from 1600-1604 covered nearly 11,000 miles! The captain was finally home, but not for long. 2ff7e9595c
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